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PREMIERE: KEITH JOHNS’ “RUNAWAY” AND “HOLD ON TO ME” ARE A POUND OF ROCK AND A POUND OF FLOW →

April 24, 2019 Ilana Kalish
Tags #sensirock, #skiptothis, #keithjohns, #atwoodmagazine, #indierock
← PREMIERE: SYDNEY FRANKLIN & LUKE JAMES SHAFFER’S “BLOOD IN THE WATER” SWELLS WITH HEARTACHE IN HARMONYPELLE KUIPERS CHARMS US WITH DEEPLY RESONANT “MY DARLING” →

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